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Thursday, November 21, 2013

The Unknown

First, he renders supplications to the almighty – the trinity;
He thanks them for blessing his flesh, with the gift of poetry.
He ponders - how many moments to pay respect have been squandered;
While his spirit and flesh, have steadily searched and wantonly wandered.
With that humble homage and those overdue dues paid,
He begins his vocalization – which up till now has been stayed.

Many verses his heart has complied, in the dark of the night -
Yet, how can other`s see beauty, in what he may expose and write;
When all the art is revealed, without the slightest visibility of light.
Anonymity leaves his mind feeling completely compressed;
Obscurity leaves his ability sunken, sullen, and suppressed -
His spirit utterly depressed, and logic totally repressed.

He traveled through New York`s ambiguity and The Wasteland,
Channeling and funneling T.S. Elliot into his moving hand.
He Frost`s all his artistry with layers of interpretation,
Complex in the obvious – senses of signification.
In his dream within in a dream, he could see no foreboding Raven;
Only observing nothingness, only the formless verses - not graven.

The source of his beauty, is not found in his concrete refractions
(Though the course of the rhythm for many, is the initial attraction
The use of internally cast and end-rhyme or repetitive repetition);
But, in the vast variety viewed in his verbal abstractions.
He attained a level of comprehension and an apprehension, though not formally trained;
Despite the lack of collegiate experience, intellectually stimulating movements are framed.

In this state; the adept, astute, artist sat upon his usual stoop -
Infinite possibilities enveloped, and circumscribed his mind in a loop.
“Should the verses contain traces of geometry or astronomy?
Perhaps psychology, philosophy, or theology”?
He settled for a transmutation, a combination – Alchemy.

His hand began to formulate the recipe
(Instructions for his newest generation);
He delineated, under a perfect jet canopy,
The constructions of a metrical creation.

Using his life of silent study, and diligent observation,
As the main ingredient of his versified equation;
He hoped no adolescent adulteration or pointless pollution,
Would be perceived or received in this simple solution.

In his potion, the energy of the terrestrial sphere surges;
There, in his conscious, a celestial burning bush emerges.
Lyrics are Moses, as his thoughts multiply and grow,
There is a silent refrain, saying: “Let my bard`s go”.

The movement of these verses are driven forward without
Any actual life; they are fueled by cold fusion,
The words which a mind disperses - when it`s freezing out
The art of eloquent articulation and diffusion.

The evocative power of all poetic poesy is expansive and empirical,
It`s impossible to measure the provocative potential of the lyrical.
No measure for meter, forget the function of a foot;
These dimensions in our space are now obsolete and kaput.

He re-read between the lines, and looked among the letters;
Wondered if this tincture, would be enough to impress his betters.

He hoped that good taste and tact would be remembered
When this tonic is imbibed, and each flavor dismembered.
Appreciating all beauty which is found, (in non- and) rhythmic sound
Of the other poets who inspire and astound, as their lyrics compound.

The creation of each of his poems, openly conceals his life`s objective;
His purpose in the lines, which are subject to each person’s perspective.  
They say the ends justify the means, all love he must send
To poetry, which is all which gives his life meaning in the end.

Composed By: Andrew Drucker

Tuesday, November 19, 2013

An Execution on a Desktop

No tears fell, no fears swell, as the condemned took the stage.
The ax rapidly came down, with the silence of a falling feather;
A shrill chill blew through the air, not brought on by the weather.
Blood fell upon the snow, staining the sheet like ink on a page;
Pointless hope ended, as abruptly, as the final line of a bard`s verse
(The rhythm of life, almost perfect, the only mar is: it’s by far too terse).  
No audience, at this point, only the executioner and ax truly care.
A dream, in the consummation of its crucifixion, leaves a nightmare.

Reality – a jest, or a test?
Life – a lucid dream, a whimsical fantasy,
(Or a moment of apparent sensation and brevity)?
Humanity – ingests and infests.
Eternity – some sort of divine idea of levity?

Death – living answers were found, like metaphors clearly explained…
Death – morbid mysteries so profound, those implications – restrained…
Death – The Reality of Life, which is consuming Humanity for all Eternity…
Death – the executioner placed the ax down and laughed at the absurdity.

Composed By: Andrew Drucker

Tuesday, November 12, 2013

An Appetizer of Implication

“Here is some sustenance to sate the appetite
To abate the hunger, while on the next course – you wait.
 The flavor profile has style, it`s crisp and bright;
A sensual aroma rises, detected, perfected on the hot plate”.

The multitude of main dishes are receiving stylistic garnish.
The dishes are decorated with a sort of intellectual flair;
Their silent notes must flawlessly flare, and brilliantly blare.
The dishes resplendence must be lacquered, as in varnish;
To ensure their presentation is revealed without tarnish.

“Can you sense the appetizer`s implication,
The analogy`s comparison and correlation
(Are the metaphors, which were previously wrote,
Too ambiguous, too arcane, - and too remote;
Or are the mental angles, which are supplementary,
Too elementary – the symbolic juxtapositions rudimentary?)”.

“Does the customer prefer Robert Elliot or T.S. Frost? ...
If the label is not definitive or specific (cryptic),
Does the calligraphy become hieroglyphic?
Are the suggestions (other than the conspicuous) too intense?
Does the creator, and artist, no longer have any poetic license?
… If the appropriate arrangement is altered
(If the rigorous regulations are reciprocated);
Is the fundamental, essential, and indispensable lost”?

On the surface, each dish (thus far) has been delivered
With a simple, satisfying, savory taste of symmetry;
A meek, yet meticulous metrical show of geometry.
Beneath the uncomplicated structures - concepts figured…

… Are intricate suggestions, webs variegated in complexity.
The cook has created many dishes well below his capacity -
Hoping that someone might notice, and fathom his (yet revealed) aptitude;
(Hoping to attain exposure, through an accessible composure)
His true artistic character, remained restrained - concealed, hiding it`s amplitude.

Never has he had desires for obscene opulence or complete celebrity –
His only wishes: his dishes were no longer consider works of levity,
And to receive significant approval, as an actual creative entity. 
“Here is an appetizer, created wearily, in silence and obscurity”.

Composed By: Andrew Drucker